In Lien Trương’s painting From the Earth Rise Radiant Beings (2021), from which this exhibition draws its title, the yellow woman and her sisters are given new lives and representations, their silhouettes only providing a suggestion of their forms.
Arts & Culture By Whitney Hale and International Sculpture Center Aug. 5, 2021 LEXINGTON, Ky. (Aug. 5, 2021) — Recent University of Kentucky School of Art and Visual Studies graduate Amalia Galdona Broche is one of 11 students awarded the prestigious International Sculpture Center‘s Outstanding Student Achievement in Contemporary Sculpture Award for 2021. The International Sculpture Center (ISC) established the annual award program in 1994 to recognize young […]
ByMaria Rosaria Roseo Italiano (Italian) Amalia Galdona Broche is an American artist originally from Santa Clara, Cuba. She holds a BFA and a BA in Sculpture and Art History from Jacksonville University in Florida. Currently, She lives in Lexington, Kentucky, where she is pursuing an MFA in Visual Studies at the University of Kentucky. Through textiles, Galdona […]
For Félix works through the modes of transtemporal and abstract drag.
In 1889, Paul Gauguin stood by the vast ceramic display at the Universal Exposition in Paris and lamented the fact that “out of ten educated persons, nine will pass in front of this section with an extreme indifference”.
BAMPFA ZOOM EVENT w/ Ramekon O’Arwisters – June 10th, 6pm PDT
Reviews In the wake of the Second World War, the body was subjected to new forms of violence and control. Joachim Bandau confronted this biopolitical reality in his group of contemporaneous sculptures, which he called “Die Nichtschönen” (the Nonbeauties), currently on view at Kunsthalle Basel. At once human and machine, figurative and abstract, Bandau’s sculptures […]
At Kunsthalle Basel, the artist’s peculiar designs and polished surfaces speak to the violence against bodies BY KITO NEDO IN REVIEWS | 28 APR 21 In the short period between 1967 and 1974, German artist Joachim Bandau produced more than 100 sculptures and accompanying drawings. Kunsthalle Basel currently presents key works from this phase, which the artist abruptly cut […]
Couzens is keenly sensitive to the layered meanings inherent in the original adverts, which even today, look like overproduced exercises in a bygone nostalgia.
As you look at Christopher Miles’ work, it seems to shift between fantasy and reality, between conceptual zones and categories.