Since mid-March 2020, Ive been making and glazing my ceramic works at home, a dusty, messy thing to do. This necessitates transporting work back and forth to the kiln in fragile greenware or raw glazed state.  I now do this by subway (I was previously able to score a ride every month or so). Im now adept at the finer points of moving fragile clay work around in shopping bags.

  On behalf of Brattleboro Museum & Art Center, Burlington City Arts, The Current, and Hall Art Foundation, we are delighted to congratulate Sarah Amos of Enosburg Falls on being selected as the winner of the 2024 Vermont Prize! The Vermont Prize celebrates and supports the best visual art being made in Vermont today. The […]

Delightfully bodied and splendidly decked out in glazes of many colors, the 20 new ceramic works in Elisa D’Arrigo’s current exhibition (on view through October 21, 2023) make their presence emphatically felt despite the modesty of their measurements.

Pilar Agüero-Esparza, 2022 Photo courtesy Pilar Agüero-Esparza Claiming Space: Refiguring the Body in Landscape About The large-scale painted and woven canvas tapestry mural by Pilar Agüero-Esparza, brings together the power of the hand-made, references to the body through skin color and prismatic color found in the landscape. While juxtaposing ideas related to social hierarchies and […]